#00A229

sRGB · 0 / 162 / 41

#00A229 belongs to the green-cyan family. Its hex code tells a screen to mix 0 red, 162 green and 41 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 135.2° lands in the green-cyan region. Its 100.0% saturation makes it strong in color at this lightness. HSL lightness is 31.8% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (6.20:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 0, 162, 41
HSL: 135.19°, 100.00%, 31.76%
HSV / HSB: 135.19°, 100.00%, 63.53%
CMYK (approx.): 100.00%, 0.00%, 74.69%, 36.47%
CIE XYZ (D65, Y = 100 for white): 13.320, 26.000, 6.414
CIELAB (D65, 2° observer): 58.037, -59.411, 49.835
WCAG relative luminance: 0.26001
24-bit decimal: 41513

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #00A229 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 6.20:1

Normal text: AA
Large text: AAA

White text · 3.39:1

Normal text: Fail
Large text: AA

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#A20079 sits half a turn (180°) from #00A229 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#00A229 #A20079

Analogous

#28A200 and #00A27A sit 30° to either side of #00A229. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#28A200 #00A229 #00A27A

Triadic

#00A229, #2900A2 and #A22900 are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#00A229 #2900A2 #A22900

Split complementary

Start at #00A229 and look across the wheel. #7A00A2 and #A20028 sit 30° to either side of its exact opposite, giving you two different accent choices.

#00A229 #7A00A2 #A20028

Square

Starting with #00A229, each quarter turn (90°) takes you to the next hue: #0028A2, #A20079, then #A27A00. Across the square, #00A229 pairs with #A20079, and #0028A2 with #A27A00.

#00A229 #0028A2 #A20079 #A27A00

Tetradic

#00A229 and #A20079 are opposites, as are #0079A2 and #A22900. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#00A229 #0079A2 #A20079 #A22900

Tints

Mixing #00A229 with white in 20% steps produces this scale. The first mixture, #33B554, keeps 80% of the original. By #CCECD4, the mixture is 80% white.

#00A229 #33B554 #66C77F #99DAA9 #CCECD4 #FFFFFF

Shades

Mixing #00A229 with black in 20% steps produces this scale. The first mixture, #008221, keeps 80% of the original. By #002008, the mixture is 80% black.

#00A229 #008221 #006119 #004110 #002008 #000000

Tones

Mixing #00A229 with middle gray in 20% steps produces this scale. The first mixture, #1A9B3A, keeps 80% of the original. By #66876F, the mixture is 80% middle gray.

#00A229 #1A9B3A #33944C #4D8E5D #66876F #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#00A229

RGB

rgb(0 162 41)

HSL

hsl(135.185 100.000% 31.765%)

CSS example

.color-sample {
  background-color: #00A229;
  color: #000000;
}

Channel breakdown

RGB

#00A229 uses 0 red, 162 green and 41 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 0.0%

Green 63.5%

Blue 16.1%

CMYK

A simple CMYK estimate for #00A229 is 100.0% cyan, 0.0% magenta, 74.7% yellow and 36.5% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 100.0%

Magenta 0.0%

Yellow 74.7%

Black 36.5%

Nearby colors

The nearest shorthand match is #00AA22. Its matching digit pairs let you write it as #0A2 in CSS. For a modern design, keep #00A229 when you want an exact match. Use its web-safe neighbor, #009933, when matching a legacy palette of 216 colors.

Nearest shorthand · #00AA22 Nearest web-safe · #009933

Gradient to complement

#00A229 #1B8736 #366C44 #515151 #6C365E #871B6C #A20079

Color vision previews

Compare how #00A229 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#A59212

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#968736

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#009E8B

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#879623

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#809132

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#179F5C

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#8B8B8B

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#659769

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.00000 G 0.36131 B 0.02217

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.28092 G 0.62565 B 0.23838

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.06415 G 0.34931 B 0.04635

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.291 y 0.568 Y 26.000

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 100.000 M % 36.471 Y % 83.922

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

00000000 10100010 00101001