#0DFD4E

sRGB · 13 / 253 / 78

#0DFD4E belongs to the green-cyan family. Its hex code tells a screen to mix 13 red, 253 green and 78 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 136.2° lands in the green-cyan region. Its 98.4% saturation makes it strong in color at this lightness. HSL lightness is 52.2% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (15.18:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 13, 253, 78
HSL: 136.25°, 98.36%, 52.16%
HSV / HSB: 136.25°, 94.86%, 99.22%
CMYK (approx.): 94.86%, 0.00%, 69.17%, 0.78%
CIE XYZ (D65, Y = 100 for white): 36.665, 70.883, 18.957
CIELAB (D65, 2° observer): 87.428, -81.833, 66.654
WCAG relative luminance: 0.70886
24-bit decimal: 916814

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #0DFD4E in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 15.18:1

Normal text: AAA
Large text: AAA

White text · 1.38:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#FD0DBC sits half a turn (180°) from #0DFD4E on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#0DFD4E #FD0DBC

Analogous

#44FD0D and #0DFDC6 sit 30° to either side of #0DFD4E. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#44FD0D #0DFD4E #0DFDC6

Triadic

#0DFD4E, #4E0DFD and #FD4E0D are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#0DFD4E #4E0DFD #FD4E0D

Split complementary

Start at #0DFD4E and look across the wheel. #C60DFD and #FD0D44 sit 30° to either side of its exact opposite, giving you two different accent choices.

#0DFD4E #C60DFD #FD0D44

Square

Starting with #0DFD4E, each quarter turn (90°) takes you to the next hue: #0D44FD, #FD0DBC, then #FDC60D. Across the square, #0DFD4E pairs with #FD0DBC, and #0D44FD with #FDC60D.

#0DFD4E #0D44FD #FD0DBC #FDC60D

Tetradic

#0DFD4E and #FD0DBC are opposites, as are #0DBCFD and #FD4E0D. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#0DFD4E #0DBCFD #FD0DBC #FD4E0D

Tints

Mixing #0DFD4E with white in 20% steps produces this scale. The first mixture, #3DFD71, keeps 80% of the original. By #CFFFDC, the mixture is 80% white.

#0DFD4E #3DFD71 #6EFE95 #9EFEB8 #CFFFDC #FFFFFF

Shades

Mixing #0DFD4E with black in 20% steps produces this scale. The first mixture, #0ACA3E, keeps 80% of the original. By #033310, the mixture is 80% black.

#0DFD4E #0ACA3E #08982F #05651F #033310 #000000

Tones

Mixing #0DFD4E with middle gray in 20% steps produces this scale. The first mixture, #24E458, keeps 80% of the original. By #699976, the mixture is 80% middle gray.

#0DFD4E #24E458 #3BCB62 #52B26C #699976 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#0DFD4E

RGB

rgb(13 253 78)

HSL

hsl(136.250 98.361% 52.157%)

CSS example

.color-sample {
  background-color: #0DFD4E;
  color: #000000;
}

Channel breakdown

RGB

#0DFD4E uses 13 red, 253 green and 78 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 5.1%

Green 99.2%

Blue 30.6%

CMYK

A simple CMYK estimate for #0DFD4E is 94.9% cyan, 0.0% magenta, 69.2% yellow and 0.8% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 94.9%

Magenta 0.0%

Yellow 69.2%

Black 0.8%

Nearby colors

The nearest shorthand match is #11FF55. Its matching digit pairs let you write it as #1F5 in CSS. For a modern design, keep #0DFD4E when you want an exact match. Use its web-safe neighbor, #00FF66, when matching a legacy palette of 216 colors.

Nearest shorthand · #11FF55 Nearest web-safe · #00FF66

Gradient to complement

#0DFD4E #35D560 #5DAD73 #858585 #AD5D97 #D535AA #FD0DBC

Color vision previews

Compare how #0DFD4E appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#FFE533

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#EBD560

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#00F6DA

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#D4EC46

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#CAE35A

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#2EF995

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#DBDBDB

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#A1EDA8

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.00402 G 0.98225 B 0.07619

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.45859 G 0.97759 B 0.41078

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.17770 G 0.94978 B 0.14055

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.290 y 0.560 Y 70.883

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 94.902 M % 0.784 Y % 69.412

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

00001101 11111101 01001110