#0EE467

sRGB · 14 / 228 / 103

#0EE467 belongs to the green-cyan family. Its hex code tells a screen to mix 14 red, 228 green and 103 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 145.0° lands in the green-cyan region. Its 88.4% saturation makes it strong in color at this lightness. HSL lightness is 47.5% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (12.31:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 14, 228, 103
HSL: 144.95°, 88.43%, 47.45%
HSV / HSB: 144.95°, 93.86%, 89.41%
CMYK (approx.): 93.86%, 0.00%, 54.82%, 10.59%
CIE XYZ (D65, Y = 100 for white): 30.371, 56.557, 22.148
CIELAB (D65, 2° observer): 79.930, -71.658, 47.782
WCAG relative luminance: 0.56559
24-bit decimal: 975975

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #0EE467 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 12.31:1

Normal text: AAA
Large text: AAA

White text · 1.71:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#E40E8B sits half a turn (180°) from #0EE467 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#0EE467 #E40E8B

Analogous

#20E40E and #0EE4D2 sit 30° to either side of #0EE467. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#20E40E #0EE467 #0EE4D2

Triadic

#0EE467, #670EE4 and #E4670E are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#0EE467 #670EE4 #E4670E

Split complementary

Start at #0EE467 and look across the wheel. #D20EE4 and #E40E20 sit 30° to either side of its exact opposite, giving you two different accent choices.

#0EE467 #D20EE4 #E40E20

Square

Starting with #0EE467, each quarter turn (90°) takes you to the next hue: #0E20E4, #E40E8B, then #E4D20E. Across the square, #0EE467 pairs with #E40E8B, and #0E20E4 with #E4D20E.

#0EE467 #0E20E4 #E40E8B #E4D20E

Tetradic

#0EE467 and #E40E8B are opposites, as are #0E8BE4 and #E4670E. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#0EE467 #0E8BE4 #E40E8B #E4670E

Tints

Mixing #0EE467 with white in 20% steps produces this scale. The first mixture, #3EE985, keeps 80% of the original. By #CFFAE1, the mixture is 80% white.

#0EE467 #3EE985 #6EEFA4 #9FF4C2 #CFFAE1 #FFFFFF

Shades

Mixing #0EE467 with black in 20% steps produces this scale. The first mixture, #0BB652, keeps 80% of the original. By #032E15, the mixture is 80% black.

#0EE467 #0BB652 #08893E #065B29 #032E15 #000000

Tones

Mixing #0EE467 with middle gray in 20% steps produces this scale. The first mixture, #25D06C, keeps 80% of the original. By #69947B, the mixture is 80% middle gray.

#0EE467 #25D06C #3CBC71 #52A876 #69947B #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#0EE467

RGB

rgb(14 228 103)

HSL

hsl(144.953 88.430% 47.451%)

CSS example

.color-sample {
  background-color: #0EE467;
  color: #000000;
}

Channel breakdown

RGB

#0EE467 uses 14 red, 228 green and 103 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 5.5%

Green 89.4%

Blue 40.4%

CMYK

A simple CMYK estimate for #0EE467 is 93.9% cyan, 0.0% magenta, 54.8% yellow and 10.6% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 93.9%

Magenta 0.0%

Yellow 54.8%

Black 10.6%

Nearby colors

The nearest shorthand match is #11DD66. Its matching digit pairs let you write it as #1D6 in CSS. For a modern design, keep #0EE467 when you want an exact match. Use its web-safe neighbor, #00CC66, when matching a legacy palette of 216 colors.

Nearest shorthand · #11DD66 Nearest web-safe · #00CC66

Gradient to complement

#0EE467 #32C06D #559D73 #797979 #9D557F #C03285 #E40E8B

Color vision previews

Compare how #0EE467 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#E6CF5B

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#D1C071

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#00E0C8

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#BDD563

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#B3CD6E

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#26E194

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#C6C6C6

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#91D6A0

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.00439 G 0.77582 B 0.13563

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.41188 G 0.88094 B 0.46104

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.14135 G 0.75022 B 0.17974

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.278 y 0.519 Y 56.557

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 94.510 M % 10.588 Y % 59.608

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

00001110 11100100 01100111