#0F7607

sRGB · 15 / 118 / 7

#0F7607 belongs to the green family. Its hex code tells a screen to mix 15 red, 118 green and 7 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 115.7° lands in the green region. Its 88.8% saturation makes it strong in color at this lightness. HSL lightness is 24.5% on a scale from black (0%) to white (100%). Of black and white lettering, white has the clearer light-to-dark separation on this background (5.81:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 15, 118, 7
HSL: 115.68°, 88.80%, 24.51%
HSV / HSB: 115.68°, 94.07%, 46.27%
CMYK (approx.): 87.29%, 0.00%, 94.07%, 53.73%
CIE XYZ (D65, Y = 100 for white): 6.713, 13.073, 2.371
CIELAB (D65, 2° observer): 42.873, -47.080, 45.663
WCAG relative luminance: 0.13074
24-bit decimal: 1013255

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #0F7607 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 3.61:1

Normal text: Fail
Large text: AA

White text · 5.81:1

Normal text: AA
Large text: AAA

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#6E0776 sits half a turn (180°) from #0F7607 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#0F7607 #6E0776

Analogous

#467607 and #077636 sit 30° to either side of #0F7607. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#467607 #0F7607 #077636

Triadic

#0F7607, #070F76 and #76070F are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#0F7607 #070F76 #76070F

Split complementary

Start at #0F7607 and look across the wheel. #360776 and #760747 sit 30° to either side of its exact opposite, giving you two different accent choices.

#0F7607 #360776 #760747

Square

Starting with #0F7607, each quarter turn (90°) takes you to the next hue: #074776, #6E0776, then #763607. Across the square, #0F7607 pairs with #6E0776, and #074776 with #763607.

#0F7607 #074776 #6E0776 #763607

Tetradic

#0F7607 and #6E0776 are opposites, as are #07766E and #76070F. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#0F7607 #07766E #6E0776 #76070F

Tints

Mixing #0F7607 with white in 20% steps produces this scale. The first mixture, #3F9139, keeps 80% of the original. By #CFE4CD, the mixture is 80% white.

#0F7607 #3F9139 #6FAD6A #9FC89C #CFE4CD #FFFFFF

Shades

Mixing #0F7607 with black in 20% steps produces this scale. The first mixture, #0C5E06, keeps 80% of the original. By #031801, the mixture is 80% black.

#0F7607 #0C5E06 #094704 #062F03 #031801 #000000

Tones

Mixing #0F7607 with middle gray in 20% steps produces this scale. The first mixture, #26781F, keeps 80% of the original. By #697E68, the mixture is 80% middle gray.

#0F7607 #26781F #3C7A37 #537C50 #697E68 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#0F7607

RGB

rgb(15 118 7)

HSL

hsl(115.676 88.800% 24.510%)

CSS example

.color-sample {
  background-color: #0F7607;
  color: #FFFFFF;
}

Channel breakdown

RGB

#0F7607 uses 15 red, 118 green and 7 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 5.9%

Green 46.3%

Blue 2.7%

CMYK

A simple CMYK estimate for #0F7607 is 87.3% cyan, 0.0% magenta, 94.1% yellow and 53.7% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 87.3%

Magenta 0.0%

Yellow 94.1%

Black 53.7%

Nearby colors

The nearest shorthand match is #117700. Its matching digit pairs let you write it as #170 in CSS. For a modern design, keep #0F7607 when you want an exact match. Use its web-safe neighbor, #006600, when matching a legacy palette of 216 colors.

Nearest shorthand · #117700 Nearest web-safe · #006600

Gradient to complement

#0F7607 #1F641A #2F512C #3F3F3F #4E2C51 #5E1A64 #6E0776

Color vision previews

Compare how #0F7607 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#796A00

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#6E6219

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#007263

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#636D00

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#5E6914

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#19743D

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#656565

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#4A6E49

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.00478 G 0.18116 B 0.00212

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.20935 G 0.45571 B 0.12902

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.03609 G 0.17531 B 0.01513

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.303 y 0.590 Y 13.073

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 94.118 M % 53.725 Y % 97.255

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

00001111 01110110 00000111