#2CF607

sRGB · 44 / 246 / 7

#2CF607 belongs to the green family. Its hex code tells a screen to mix 44 red, 246 green and 7 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 110.7° lands in the green region. Its 94.5% saturation makes it strong in color at this lightness. HSL lightness is 49.6% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (14.29:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 44, 246, 7
HSL: 110.71°, 94.47%, 49.61%
HSV / HSB: 110.71°, 97.15%, 96.47%
CMYK (approx.): 82.11%, 0.00%, 97.15%, 3.53%
CIE XYZ (D65, Y = 100 for white): 34.031, 66.460, 11.235
CIELAB (D65, 2° observer): 85.230, -81.291, 80.734
WCAG relative luminance: 0.66462
24-bit decimal: 2946567

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #2CF607 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 14.29:1

Normal text: AAA
Large text: AAA

White text · 1.47:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#D107F6 sits half a turn (180°) from #2CF607 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#2CF607 #D107F6

Analogous

#A3F607 and #07F659 sit 30° to either side of #2CF607. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#A3F607 #2CF607 #07F659

Triadic

#2CF607, #072CF6 and #F6072C are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#2CF607 #072CF6 #F6072C

Split complementary

Start at #2CF607 and look across the wheel. #5907F6 and #F607A4 sit 30° to either side of its exact opposite, giving you two different accent choices.

#2CF607 #5907F6 #F607A4

Square

Starting with #2CF607, each quarter turn (90°) takes you to the next hue: #07A4F6, #D107F6, then #F65A07. Across the square, #2CF607 pairs with #D107F6, and #07A4F6 with #F65A07.

#2CF607 #07A4F6 #D107F6 #F65A07

Tetradic

#2CF607 and #D107F6 are opposites, as are #07F6D1 and #F6072C. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#2CF607 #07F6D1 #D107F6 #F6072C

Tints

Mixing #2CF607 with white in 20% steps produces this scale. The first mixture, #56F839, keeps 80% of the original. By #D5FDCD, the mixture is 80% white.

#2CF607 #56F839 #80FA6A #ABFB9C #D5FDCD #FFFFFF

Shades

Mixing #2CF607 with black in 20% steps produces this scale. The first mixture, #23C506, keeps 80% of the original. By #093101, the mixture is 80% black.

#2CF607 #23C506 #1A9404 #126203 #093101 #000000

Tones

Mixing #2CF607 with middle gray in 20% steps produces this scale. The first mixture, #3DDE1F, keeps 80% of the original. By #6F9868, the mixture is 80% middle gray.

#2CF607 #3DDE1F #4EC737 #5EAF50 #6F9868 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#2CF607

RGB

rgb(44 246 7)

HSL

hsl(110.711 94.466% 49.608%)

CSS example

.color-sample {
  background-color: #2CF607;
  color: #000000;
}

Channel breakdown

RGB

#2CF607 uses 44 red, 246 green and 7 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 17.3%

Green 96.5%

Blue 2.7%

CMYK

A simple CMYK estimate for #2CF607 is 82.1% cyan, 0.0% magenta, 97.2% yellow and 3.5% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 82.1%

Magenta 0.0%

Yellow 97.2%

Black 3.5%

Nearby colors

The nearest shorthand match is #33EE00. Its matching digit pairs let you write it as #3E0 in CSS. For a modern design, keep #2CF607 when you want an exact match. Use its web-safe neighbor, #33FF00, when matching a legacy palette of 216 colors.

Nearest shorthand · #33EE00 Nearest web-safe · #33FF00

Gradient to complement

#2CF607 #48CE2F #63A657 #7F7F7F #9A57A6 #B62FCE #D107F6

Color vision previews

Compare how #2CF607 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#FCDE00

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#E7CF39

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#00EED1

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#D1E500

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#C7DD2E

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#3FF184

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#D5D5D5

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#9FE69C

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.02519 G 0.92158 B 0.00212

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.46650 G 0.95086 B 0.29147

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.18433 G 0.89183 B 0.06908

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.305 y 0.595 Y 66.460

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 82.745 M % 3.529 Y % 97.255

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

00101100 11110110 00000111