#4E6321

sRGB · 78 / 99 / 33

#4E6321 belongs to the yellow-green family. Its hex code tells a screen to mix 78 red, 99 green and 33 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 79.1° lands in the yellow-green region. Its 50.0% saturation makes it partway between gray and the most vivid version of this hue at this lightness. HSL lightness is 25.9% on a scale from black (0%) to white (100%). Of black and white lettering, white has the clearer light-to-dark separation on this background (6.71:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 78, 99, 33
HSL: 79.09°, 50.00%, 25.88%
HSV / HSB: 79.09°, 66.67%, 38.82%
CMYK (approx.): 21.21%, 0.00%, 66.67%, 61.18%
CIE XYZ (D65, Y = 100 for white): 7.878, 10.653, 3.080
CIELAB (D65, 2° observer): 38.990, -19.022, 33.875
WCAG relative luminance: 0.10653
24-bit decimal: 5137185

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #4E6321 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 3.13:1

Normal text: Fail
Large text: AA

White text · 6.71:1

Normal text: AA
Large text: AAA

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#362163 sits half a turn (180°) from #4E6321 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#4E6321 #362163

Analogous

#635721 and #2D6321 sit 30° to either side of #4E6321. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#635721 #4E6321 #2D6321

Triadic

#4E6321, #214E63 and #63214E are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#4E6321 #214E63 #63214E

Split complementary

Start at #4E6321 and look across the wheel. #212D63 and #572163 sit 30° to either side of its exact opposite, giving you two different accent choices.

#4E6321 #212D63 #572163

Square

Starting with #4E6321, each quarter turn (90°) takes you to the next hue: #216357, #362163, then #63212D. Across the square, #4E6321 pairs with #362163, and #216357 with #63212D.

#4E6321 #216357 #362163 #63212D

Tetradic

#4E6321 and #362163 are opposites, as are #216336 and #63214E. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#4E6321 #216336 #362163 #63214E

Tints

Mixing #4E6321 with white in 20% steps produces this scale. The first mixture, #71824D, keeps 80% of the original. By #DCE0D3, the mixture is 80% white.

#4E6321 #71824D #95A17A #B8C1A6 #DCE0D3 #FFFFFF

Shades

Mixing #4E6321 with black in 20% steps produces this scale. The first mixture, #3E4F1A, keeps 80% of the original. By #101407, the mixture is 80% black.

#4E6321 #3E4F1A #2F3B14 #1F280D #101407 #000000

Tones

Mixing #4E6321 with middle gray in 20% steps produces this scale. The first mixture, #586934, keeps 80% of the original. By #767A6D, the mixture is 80% middle gray.

#4E6321 #586934 #626F47 #6C745A #767A6D #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#4E6321

RGB

rgb(78 99 33)

HSL

hsl(79.091 50.000% 25.882%)

CSS example

.color-sample {
  background-color: #4E6321;
  color: #FFFFFF;
}

Channel breakdown

RGB

#4E6321 uses 78 red, 99 green and 33 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 30.6%

Green 38.8%

Blue 12.9%

CMYK

A simple CMYK estimate for #4E6321 is 21.2% cyan, 0.0% magenta, 66.7% yellow and 61.2% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 21.2%

Magenta 0.0%

Yellow 66.7%

Black 61.2%

Nearby colors

The nearest shorthand match is #556622. Its matching digit pairs let you write it as #562 in CSS. For a modern design, keep #4E6321 when you want an exact match. Use its web-safe neighbor, #666633, when matching a legacy palette of 216 colors.

Nearest shorthand · #556622 Nearest web-safe · #666633

Gradient to complement

#4E6321 #4A582C #464D37 #424242 #3E374D #3A2C58 #362163

Color vision previews

Compare how #4E6321 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#685D19

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#665C26

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#525E55

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#605F1E

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#5F5E24

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#50613A

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#5C5C5C

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#555F46

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.07619 G 0.12477 B 0.01521

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.32238 G 0.38584 B 0.16872

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.08481 G 0.12316 B 0.02418

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.365 y 0.493 Y 10.653

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 69.412 M % 61.176 Y % 87.059

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

01001110 01100011 00100001