#58EF21

sRGB · 88 / 239 / 33

#58EF21 belongs to the yellow-green family. Its hex code tells a screen to mix 88 red, 239 green and 33 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 104.0° lands in the yellow-green region. Its 86.6% saturation makes it strong in color at this lightness. HSL lightness is 53.3% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (13.78:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 88, 239, 33
HSL: 103.98°, 86.55%, 53.33%
HSV / HSB: 103.98°, 86.19%, 93.73%
CMYK (approx.): 63.18%, 0.00%, 86.19%, 6.27%
CIE XYZ (D65, Y = 100 for white): 35.164, 63.915, 11.923
CIELAB (D65, 2° observer): 83.922, -71.753, 76.602
WCAG relative luminance: 0.63918
24-bit decimal: 5828385

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #58EF21 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 13.78:1

Normal text: AAA
Large text: AAA

White text · 1.52:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#B821EF sits half a turn (180°) from #58EF21 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#58EF21 #B821EF

Analogous

#BFEF21 and #21EF51 sit 30° to either side of #58EF21. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#BFEF21 #58EF21 #21EF51

Triadic

#58EF21, #2158EF and #EF2158 are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#58EF21 #2158EF #EF2158

Split complementary

Start at #58EF21 and look across the wheel. #5121EF and #EF21BF sit 30° to either side of its exact opposite, giving you two different accent choices.

#58EF21 #5121EF #EF21BF

Square

Starting with #58EF21, each quarter turn (90°) takes you to the next hue: #21BFEF, #B821EF, then #EF5121. Across the square, #58EF21 pairs with #B821EF, and #21BFEF with #EF5121.

#58EF21 #21BFEF #B821EF #EF5121

Tetradic

#58EF21 and #B821EF are opposites, as are #21EFB8 and #EF2158. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#58EF21 #21EFB8 #B821EF #EF2158

Tints

Mixing #58EF21 with white in 20% steps produces this scale. The first mixture, #79F24D, keeps 80% of the original. By #DEFCD3, the mixture is 80% white.

#58EF21 #79F24D #9BF57A #BCF9A6 #DEFCD3 #FFFFFF

Shades

Mixing #58EF21 with black in 20% steps produces this scale. The first mixture, #46BF1A, keeps 80% of the original. By #123007, the mixture is 80% black.

#58EF21 #46BF1A #358F14 #23600D #123007 #000000

Tones

Mixing #58EF21 with middle gray in 20% steps produces this scale. The first mixture, #60D934, keeps 80% of the original. By #78966D, the mixture is 80% middle gray.

#58EF21 #60D934 #68C347 #70AC5A #78966D #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#58EF21

RGB

rgb(88 239 33)

HSL

hsl(103.981 86.555% 53.333%)

CSS example

.color-sample {
  background-color: #58EF21;
  color: #000000;
}

Channel breakdown

RGB

#58EF21 uses 88 red, 239 green and 33 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 34.5%

Green 93.7%

Blue 12.9%

CMYK

A simple CMYK estimate for #58EF21 is 63.2% cyan, 0.0% magenta, 86.2% yellow and 6.3% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 63.2%

Magenta 0.0%

Yellow 86.2%

Black 6.3%

Nearby colors

The nearest shorthand match is #55EE22. Its matching digit pairs let you write it as #5E2 in CSS. For a modern design, keep #58EF21 when you want an exact match. Use its web-safe neighbor, #66FF33, when matching a legacy palette of 216 colors.

Nearest shorthand · #55EE22 Nearest web-safe · #66FF33

Gradient to complement

#58EF21 #68CD43 #78AA66 #888888 #9866AA #A843CD #B821EF

Color vision previews

Compare how #58EF21 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#F6D900

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#E4CD40

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#41E7CC

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#D0DF01

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#C8D936

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#62EB83

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#D1D1D1

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#A3E19B

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.09759 G 0.86316 B 0.01521

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.52050 G 0.92498 B 0.30945

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.23351 G 0.83774 B 0.07801

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.317 y 0.576 Y 63.915

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 65.490 M % 6.275 Y % 87.059

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

01011000 11101111 00100001