#7CD607

sRGB · 124 / 214 / 7

#7CD607 belongs to the yellow-green family. Its hex code tells a screen to mix 124 red, 214 green and 7 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 86.1° lands in the yellow-green region. Its 93.7% saturation makes it strong in color at this lightness. HSL lightness is 43.3% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (11.48:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 124, 214, 7
HSL: 86.09°, 93.67%, 43.33%
HSV / HSB: 86.09°, 96.73%, 83.92%
CMYK (approx.): 42.06%, 0.00%, 96.73%, 16.08%
CIE XYZ (D65, Y = 100 for white): 32.396, 52.392, 8.607
CIELAB (D65, 2° observer): 77.515, -53.815, 75.405
WCAG relative luminance: 0.52394
24-bit decimal: 8181255

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #7CD607 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 11.48:1

Normal text: AAA
Large text: AAA

White text · 1.83:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#6107D6 sits half a turn (180°) from #7CD607 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#7CD607 #6107D6

Analogous

#D6C907 and #15D607 sit 30° to either side of #7CD607. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#D6C907 #7CD607 #15D607

Triadic

#7CD607, #077CD6 and #D6077C are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#7CD607 #077CD6 #D6077C

Split complementary

Start at #7CD607 and look across the wheel. #0715D6 and #C907D6 sit 30° to either side of its exact opposite, giving you two different accent choices.

#7CD607 #0715D6 #C907D6

Square

Starting with #7CD607, each quarter turn (90°) takes you to the next hue: #07D6C8, #6107D6, then #D60714. Across the square, #7CD607 pairs with #6107D6, and #07D6C8 with #D60714.

#7CD607 #07D6C8 #6107D6 #D60714

Tetradic

#7CD607 and #6107D6 are opposites, as are #07D661 and #D6077C. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#7CD607 #07D661 #6107D6 #D6077C

Tints

Mixing #7CD607 with white in 20% steps produces this scale. The first mixture, #96DE39, keeps 80% of the original. By #E5F7CD, the mixture is 80% white.

#7CD607 #96DE39 #B0E66A #CBEF9C #E5F7CD #FFFFFF

Shades

Mixing #7CD607 with black in 20% steps produces this scale. The first mixture, #63AB06, keeps 80% of the original. By #192B01, the mixture is 80% black.

#7CD607 #63AB06 #4A8004 #325603 #192B01 #000000

Tones

Mixing #7CD607 with middle gray in 20% steps produces this scale. The first mixture, #7DC51F, keeps 80% of the original. By #7F9168, the mixture is 80% middle gray.

#7CD607 #7DC51F #7EB437 #7EA250 #7F9168 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#7CD607

RGB

rgb(124 214 7)

HSL

hsl(86.087 93.665% 43.333%)

CSS example

.color-sample {
  background-color: #7CD607;
  color: #000000;
}

Channel breakdown

RGB

#7CD607 uses 124 red, 214 green and 7 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 48.6%

Green 83.9%

Blue 2.7%

CMYK

A simple CMYK estimate for #7CD607 is 42.1% cyan, 0.0% magenta, 96.7% yellow and 16.1% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 42.1%

Magenta 0.0%

Yellow 96.7%

Black 16.1%

Nearby colors

The nearest shorthand match is #77DD00. Its matching digit pairs let you write it as #7D0 in CSS. For a modern design, keep #7CD607 when you want an exact match. Use its web-safe neighbor, #66CC00, when matching a legacy palette of 216 colors.

Nearest shorthand · #77DD00 Nearest web-safe · #66CC00

Gradient to complement

#7CD607 #78B42A #73914C #6F6F6F #6A4C91 #662AB4 #6107D6

Color vision previews

Compare how #7CD607 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#DFC400

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#D3BD2F

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#7CCDB6

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#C4CA00

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#BFC625

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#82D273

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#BFBFBF

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#A2CB8C

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.20156 G 0.67244 B 0.00212

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.57047 G 0.83050 B 0.25781

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.28516 G 0.65681 B 0.05406

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.347 y 0.561 Y 52.392

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 51.373 M % 16.078 Y % 97.255

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

01111100 11010110 00000111