#94DE2F

sRGB · 148 / 222 / 47

#94DE2F belongs to the yellow-green family. Its hex code tells a screen to mix 148 red, 222 green and 47 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 85.4° lands in the yellow-green region. Its 72.6% saturation makes it strong in color at this lightness. HSL lightness is 52.7% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (12.75:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 148, 222, 47
HSL: 85.37°, 72.61%, 52.75%
HSV / HSB: 85.37°, 78.83%, 87.06%
CMYK (approx.): 33.33%, 0.00%, 78.83%, 12.94%
CIE XYZ (D65, Y = 100 for white): 38.846, 58.743, 11.981
CIELAB (D65, 2° observer): 81.150, -47.693, 71.667
WCAG relative luminance: 0.58744
24-bit decimal: 9756207

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #94DE2F in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 12.75:1

Normal text: AAA
Large text: AAA

White text · 1.65:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#792FDE sits half a turn (180°) from #94DE2F on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#94DE2F #792FDE

Analogous

#DED12F and #3DDE2F sit 30° to either side of #94DE2F. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#DED12F #94DE2F #3DDE2F

Triadic

#94DE2F, #2F94DE and #DE2F94 are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#94DE2F #2F94DE #DE2F94

Split complementary

Start at #94DE2F and look across the wheel. #2F3CDE and #D12FDE sit 30° to either side of its exact opposite, giving you two different accent choices.

#94DE2F #2F3CDE #D12FDE

Square

Starting with #94DE2F, each quarter turn (90°) takes you to the next hue: #2FDED1, #792FDE, then #DE2F3C. Across the square, #94DE2F pairs with #792FDE, and #2FDED1 with #DE2F3C.

#94DE2F #2FDED1 #792FDE #DE2F3C

Tetradic

#94DE2F and #792FDE are opposites, as are #2FDE79 and #DE2F94. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#94DE2F #2FDE79 #792FDE #DE2F94

Tints

Mixing #94DE2F with white in 20% steps produces this scale. The first mixture, #A9E559, keeps 80% of the original. By #EAF8D5, the mixture is 80% white.

#94DE2F #A9E559 #BFEB82 #D4F2AC #EAF8D5 #FFFFFF

Shades

Mixing #94DE2F with black in 20% steps produces this scale. The first mixture, #76B226, keeps 80% of the original. By #1E2C09, the mixture is 80% black.

#94DE2F #76B226 #59851C #3B5913 #1E2C09 #000000

Tones

Mixing #94DE2F with middle gray in 20% steps produces this scale. The first mixture, #90CB3F, keeps 80% of the original. By #849370, the mixture is 80% middle gray.

#94DE2F #90CB3F #8CB84F #88A660 #849370 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#94DE2F

RGB

rgb(148 222 47)

HSL

hsl(85.371 72.614% 52.745%)

CSS example

.color-sample {
  background-color: #94DE2F;
  color: #000000;
}

Channel breakdown

RGB

#94DE2F uses 148 red, 222 green and 47 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 58.0%

Green 87.1%

Blue 18.4%

CMYK

A simple CMYK estimate for #94DE2F is 33.3% cyan, 0.0% magenta, 78.8% yellow and 12.9% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 33.3%

Magenta 0.0%

Yellow 78.8%

Black 12.9%

Nearby colors

The nearest shorthand match is #99DD33. Its matching digit pairs let you write it as #9D3 in CSS. For a modern design, keep #94DE2F when you want an exact match. Use its web-safe neighbor, #99CC33, when matching a legacy palette of 216 colors.

Nearest shorthand · #99DD33 Nearest web-safe · #99CC33

Gradient to complement

#94DE2F #90C14C #8BA469 #878787 #8269A4 #7E4CC1 #792FDE

Color vision previews

Compare how #94DE2F appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#E8CD00

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#DEC843

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#97D4BE

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#D0D220

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#CCCF3C

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#99DA7D

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#CACACA

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#B1D497

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.29614 G 0.73046 B 0.02843

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.64471 G 0.86293 B 0.32054

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.37325 G 0.71604 B 0.08382

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.355 y 0.536 Y 58.743

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 41.961 M % 12.941 Y % 81.569

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

10010100 11011110 00101111