#9AF708

sRGB · 154 / 247 / 8

#9AF708 belongs to the yellow-green family. Its hex code tells a screen to mix 154 red, 247 green and 8 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 83.3° lands in the yellow-green region. Its 93.7% saturation makes it strong in color at this lightness. HSL lightness is 50.0% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (15.68:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 154, 247, 8
HSL: 83.35°, 93.73%, 50.00%
HSV / HSB: 83.35°, 96.76%, 96.86%
CMYK (approx.): 37.65%, 0.00%, 96.76%, 3.14%
CIE XYZ (D65, Y = 100 for white): 46.629, 73.407, 11.942
CIELAB (D65, 2° observer): 88.642, -56.694, 84.689
WCAG relative luminance: 0.73409
24-bit decimal: 10155784

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #9AF708 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text · 15.68:1

Normal text: AAA
Large text: AAA

White text · 1.34:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio. WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#6508F7 sits half a turn (180°) from #9AF708 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#9AF708 #6508F7

Analogous

#F7DD08 and #22F708 sit 30° to either side of #9AF708. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#F7DD08 #9AF708 #22F708

Triadic

#9AF708, #089AF7 and #F7089A are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#9AF708 #089AF7 #F7089A

Split complementary

Start at #9AF708 and look across the wheel. #0822F7 and #DD08F7 sit 30° to either side of its exact opposite, giving you two different accent choices.

#9AF708 #0822F7 #DD08F7

Square

Starting with #9AF708, each quarter turn (90°) takes you to the next hue: #08F7DD, #6508F7, then #F70822. Across the square, #9AF708 pairs with #6508F7, and #08F7DD with #F70822.

#9AF708 #08F7DD #6508F7 #F70822

Tetradic

#9AF708 and #6508F7 are opposites, as are #08F765 and #F7089A. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#9AF708 #08F765 #6508F7 #F7089A

Tints

Mixing #9AF708 with white in 20% steps produces this scale. The first mixture, #AEF939, keeps 80% of the original. By #EBFDCE, the mixture is 80% white.

#9AF708 #AEF939 #C2FA6B #D7FC9C #EBFDCE #FFFFFF

Shades

Mixing #9AF708 with black in 20% steps produces this scale. The first mixture, #7BC606, keeps 80% of the original. By #1F3102, the mixture is 80% black.

#9AF708 #7BC606 #5C9405 #3E6303 #1F3102 #000000

Tones

Mixing #9AF708 with middle gray in 20% steps produces this scale. The first mixture, #95DF20, keeps 80% of the original. By #859868, the mixture is 80% middle gray.

#9AF708 #95DF20 #90C738 #8AB050 #859868 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#9AF708

RGB

rgb(154 247 8)

HSL

hsl(83.347 93.725% 50.000%)

CSS example

.color-sample {
  background-color: #9AF708;
  color: #000000;
}

Channel breakdown

RGB

#9AF708 uses 154 red, 247 green and 8 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 60.4%

Green 96.9%

Blue 3.1%

CMYK

A simple CMYK estimate for #9AF708 is 37.7% cyan, 0.0% magenta, 96.8% yellow and 3.1% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 37.7%

Magenta 0.0%

Yellow 96.8%

Black 3.1%

Nearby colors

The nearest shorthand match is #99FF00. Its matching digit pairs let you write it as #9F0 in CSS. For a modern design, keep #9AF708 when you want an exact match. Use its web-safe neighbor, #99FF00, when matching a legacy palette of 216 colors.

Nearest shorthand · #99FF00 Nearest web-safe · #99FF00

Gradient to complement

#9AF708 #91CF30 #88A758 #808080 #7758A7 #6E30CF #6508F7

Color vision previews

Compare how #9AF708 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#FFE300

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#F6DC37

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#9CECD2

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#E5E900

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#E0E52B

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#A0F285

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#DEDEDE

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#C0EBA3

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.32314 G 0.93011 B 0.00243

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.68787 G 0.95933 B 0.30367

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.43090 G 0.90996 B 0.07507

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.353 y 0.556 Y 73.407

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 39.608 M % 3.137 Y % 96.863

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

10011010 11110111 00001000