#AAA0CB

sRGB: 170 / 160 / 203

Radiant blossoms flourish beyond boundaries
Sacred blossoms fade beyond remembrance
Boundless spirits defy the passing ages

#AAA0CB belongs to the blue family. Its hex code tells a screen to mix 170 red, 160 green and 203 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 254.0° lands in the blue region. Its 29.3% saturation makes it close to gray at this lightness. HSL lightness is 71.2% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (8.60:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 170, 160, 203
HSL: 253.95°, 29.25%, 71.18%
HSV / HSB: 253.95°, 21.18%, 79.61%
CMYK (approx.): 16.26%, 21.18%, 0.00%, 20.39%
CIE XYZ (D65, Y = 100 for white): 39.926, 37.999, 61.733
CIELAB (D65, 2° observer): 68.020, 12.308, -20.658
WCAG relative luminance: 0.37999
24-bit decimal: 11182283

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #AAA0CB in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 8.60:1

Normal text: AAA
Large text: AAA

White text: 2.44:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#C1CBA0 sits half a turn (180°) from #AAA0CB on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#AAA0CB #C1CBA0

Analogous

#A0ABCB and #C0A0CB sit 30° to either side of #AAA0CB. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#A0ABCB #AAA0CB #C0A0CB

Triadic

#AAA0CB, #CBAAA0 and #A0CBAA are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#AAA0CB #CBAAA0 #A0CBAA

Split complementary

Start at #AAA0CB and look across the wheel. #CBC0A0 and #ABCBA0 sit 30° to either side of its exact opposite, giving you two different accent choices.

#AAA0CB #CBC0A0 #ABCBA0

Square

Starting with #AAA0CB, each quarter turn (90°) takes you to the next hue: #CBA0AB, #C1CBA0, then #A0CBC0. Across the square, #AAA0CB pairs with #C1CBA0, and #CBA0AB with #A0CBC0.

#AAA0CB #CBA0AB #C1CBA0 #A0CBC0

Tetradic

#AAA0CB and #C1CBA0 are opposites, as are #CBA0C1 and #A0CBAA. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#AAA0CB #CBA0C1 #C1CBA0 #A0CBAA

Tints

Mixing #AAA0CB with white in 20% steps produces this scale. The first mixture, #BBB3D5, keeps 80% of the original. By #EEECF5, the mixture is 80% white.

#AAA0CB #BBB3D5 #CCC6E0 #DDD9EA #EEECF5 #FFFFFF

Shades

Mixing #AAA0CB with black in 20% steps produces this scale. The first mixture, #8880A2, keeps 80% of the original. By #222029, the mixture is 80% black.

#AAA0CB #8880A2 #66607A #444051 #222029 #000000

Tones

Mixing #AAA0CB with middle gray in 20% steps produces this scale. The first mixture, #A29ABC, keeps 80% of the original. By #88868F, the mixture is 80% middle gray.

#AAA0CB #A29ABC #9993AD #918D9E #88868F #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#AAA0CB

RGB

rgb(170 160 203)

HSL

hsl(253.953 29.252% 71.176%)

CSS example

.color-sample {
  background-color: #AAA0CB;
  color: #000000;
}

Channel breakdown

RGB

#AAA0CB uses 170 red, 160 green and 203 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 66.7%

Green 62.7%

Blue 79.6%

CMYK

A simple CMYK estimate for #AAA0CB is 16.3% cyan, 21.2% magenta, 0.0% yellow and 20.4% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 16.3%

Magenta 21.2%

Yellow 0.0%

Black 20.4%

Nearby colors

The nearest shorthand match is #AA99CC. Its matching digit pairs let you write it as #A9C in CSS. For a modern design, keep #AAA0CB when you want an exact match. Use its web-safe neighbor, #9999CC, when matching a legacy palette of 216 colors.

Nearest shorthand: #AA99CC Nearest web-safe: #9999CC

Gradient to complement

#AAA0CB #AEA7C4 #B2AEBD #B6B6B6 #B9BDAE #BDC4A7 #C1CBA0

Color vision previews

Compare how #AAA0CB appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#97A6CD

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#98A5CA

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#A4A6AF

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#9EA4CC

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#9EA4CA

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#A8A2C1

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#A6A6A6

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#A8A3BA

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.40198 G 0.35153 B 0.59720

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.65992 G 0.62880 B 0.78341

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.39302 G 0.35321 B 0.57608

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.286 y 0.272 Y 37.999

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 33.333 M % 37.255 Y % 20.392

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

10101010 10100000 11001011