#ADA796

sRGB: 173 / 167 / 150

Radiant blossoms command forgotten kingdoms
Sacred blossoms unfold through ancient forests
Rising tides find forgotten pathways

#ADA796 belongs to the orange family. Its hex code tells a screen to mix 173 red, 167 green and 150 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 44.3° lands in the orange region. Its 12.3% saturation makes it close to gray at this lightness. HSL lightness is 63.3% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (8.74:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 173, 167, 150
HSL: 44.35°, 12.30%, 63.33%
HSV / HSB: 44.35°, 13.29%, 67.84%
CMYK (approx.): 0.00%, 3.47%, 13.29%, 32.16%
CIE XYZ (D65, Y = 100 for white): 36.556, 38.724, 34.404
CIELAB (D65, 2° observer): 68.551, -0.826, 9.565
WCAG relative luminance: 0.38724
24-bit decimal: 11380630

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #ADA796 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 8.74:1

Normal text: AAA
Large text: AAA

White text: 2.40:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#969CAD sits half a turn (180°) from #ADA796 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#ADA796 #969CAD

Analogous

#AD9C96 and #A8AD96 sit 30° to either side of #ADA796. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#AD9C96 #ADA796 #A8AD96

Triadic

#ADA796, #96ADA7 and #A796AD are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#ADA796 #96ADA7 #A796AD

Split complementary

Start at #ADA796 and look across the wheel. #96A8AD and #9C96AD sit 30° to either side of its exact opposite, giving you two different accent choices.

#ADA796 #96A8AD #9C96AD

Square

Starting with #ADA796, each quarter turn (90°) takes you to the next hue: #96AD9C, #969CAD, then #AD96A8. Across the square, #ADA796 pairs with #969CAD, and #96AD9C with #AD96A8.

#ADA796 #96AD9C #969CAD #AD96A8

Tetradic

#ADA796 and #969CAD are opposites, as are #9CAD96 and #A796AD. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#ADA796 #9CAD96 #969CAD #A796AD

Tints

Mixing #ADA796 with white in 20% steps produces this scale. The first mixture, #BDB9AB, keeps 80% of the original. By #EFEDEA, the mixture is 80% white.

#ADA796 #BDB9AB #CECAC0 #DEDCD5 #EFEDEA #FFFFFF

Shades

Mixing #ADA796 with black in 20% steps produces this scale. The first mixture, #8A8678, keeps 80% of the original. By #23211E, the mixture is 80% black.

#ADA796 #8A8678 #68645A #45433C #23211E #000000

Tones

Mixing #ADA796 with middle gray in 20% steps produces this scale. The first mixture, #A49F92, keeps 80% of the original. By #898884, the mixture is 80% middle gray.

#ADA796 #A49F92 #9B978D #929089 #898884 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#ADA796

RGB

rgb(173 167 150)

HSL

hsl(44.348 12.299% 63.333%)

CSS example

.color-sample {
  background-color: #ADA796;
  color: #000000;
}

Channel breakdown

RGB

#ADA796 uses 173 red, 167 green and 150 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 67.8%

Green 65.5%

Blue 58.8%

CMYK

A simple CMYK estimate for #ADA796 is 0.0% cyan, 3.5% magenta, 13.3% yellow and 32.2% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 0.0%

Magenta 3.5%

Yellow 13.3%

Black 32.2%

Nearby colors

The nearest shorthand match is #AAAA99. Its matching digit pairs let you write it as #AA9 in CSS. For a modern design, keep #ADA796 when you want an exact match. Use its web-safe neighbor, #999999, when matching a legacy palette of 216 colors.

Nearest shorthand: #AAAA99 Nearest web-safe: #999999

Gradient to complement

#ADA796 #A9A59A #A5A39E #A2A2A2 #9EA0A5 #9A9EA9 #969CAD

Color vision previews

Compare how #ADA796 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#ABA695

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#ADA896

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#B1A4A2

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#ACA796

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#ADA896

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#AEA69B

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#A7A7A7

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#AAA79F

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.41789 G 0.38643 B 0.30499

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.67433 G 0.65570 B 0.59506

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.41230 G 0.38747 B 0.31281

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.333 y 0.353 Y 38.724

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 32.157 M % 34.510 Y % 41.176

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

10101101 10100111 10010110