#BFDBBF

sRGB: 191 / 219 / 191

Ancient mountains reshape eternity
Electric visions shimmer across boundless heavens
Eternal flames echo beyond eternity

#BFDBBF belongs to the green family. Its hex code tells a screen to mix 191 red, 219 green and 191 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 120.0° lands in the green region. Its 28.0% saturation makes it close to gray at this lightness. HSL lightness is 80.4% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (14.10:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 191, 219, 191
HSL: 120.00°, 28.00%, 80.39%
HSV / HSB: 120.00°, 12.79%, 85.88%
CMYK (approx.): 12.79%, 0.00%, 12.79%, 14.12%
CIE XYZ (D65, Y = 100 for white): 56.219, 65.500, 58.973
CIELAB (D65, 2° observer): 84.741, -14.515, 10.675
WCAG relative luminance: 0.65501
24-bit decimal: 12573631

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #BFDBBF in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 14.10:1

Normal text: AAA
Large text: AAA

White text: 1.49:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#DBBFDB sits half a turn (180°) from #BFDBBF on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#BFDBBF #DBBFDB

Analogous

#CDDBBF and #BFDBCD sit 30° to either side of #BFDBBF. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#CDDBBF #BFDBBF #BFDBCD

Triadic

#BFDBBF, #BFBFDB and #DBBFBF are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#BFDBBF #BFBFDB #DBBFBF

Split complementary

Start at #BFDBBF and look across the wheel. #CDBFDB and #DBBFCD sit 30° to either side of its exact opposite, giving you two different accent choices.

#BFDBBF #CDBFDB #DBBFCD

Square

Starting with #BFDBBF, each quarter turn (90°) takes you to the next hue: #BFCDDB, #DBBFDB, then #DBCDBF. Across the square, #BFDBBF pairs with #DBBFDB, and #BFCDDB with #DBCDBF.

#BFDBBF #BFCDDB #DBBFDB #DBCDBF

Tetradic

#BFDBBF and #DBBFDB are opposites, as are #BFDBDB and #DBBFBF. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#BFDBBF #BFDBDB #DBBFDB #DBBFBF

Tints

Mixing #BFDBBF with white in 20% steps produces this scale. The first mixture, #CCE2CC, keeps 80% of the original. By #F2F8F2, the mixture is 80% white.

#BFDBBF #CCE2CC #D9E9D9 #E5F1E5 #F2F8F2 #FFFFFF

Shades

Mixing #BFDBBF with black in 20% steps produces this scale. The first mixture, #99AF99, keeps 80% of the original. By #262C26, the mixture is 80% black.

#BFDBBF #99AF99 #738373 #4C584C #262C26 #000000

Tones

Mixing #BFDBBF with middle gray in 20% steps produces this scale. The first mixture, #B2C9B2, keeps 80% of the original. By #8D928D, the mixture is 80% middle gray.

#BFDBBF #B2C9B2 #A6B7A6 #99A499 #8D928D #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#BFDBBF

RGB

rgb(191 219 191)

HSL

hsl(120.000 28.000% 80.392%)

CSS example

.color-sample {
  background-color: #BFDBBF;
  color: #000000;
}

Channel breakdown

RGB

#BFDBBF uses 191 red, 219 green and 191 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 74.9%

Green 85.9%

Blue 74.9%

CMYK

A simple CMYK estimate for #BFDBBF is 12.8% cyan, 0.0% magenta, 12.8% yellow and 14.1% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 12.8%

Magenta 0.0%

Yellow 12.8%

Black 14.1%

Nearby colors

The nearest shorthand match is #BBDDBB. Its matching digit pairs let you write it as #BDB in CSS. For a modern design, keep #BFDBBF when you want an exact match. Use its web-safe neighbor, #CCCCCC, when matching a legacy palette of 216 colors.

Nearest shorthand: #BBDDBB Nearest web-safe: #CCCCCC

Gradient to complement

#BFDBBF #C4D6C4 #C8D2C8 #CDCDCD #D2C8D2 #D6C4D6 #DBBFDB

Color vision previews

Compare how #BFDBBF appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#DCD5BE

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#D7D2C0

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#BDD9D3

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#D3D7BE

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#D1D5C0

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#C0DAC6

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#D4D4D4

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#CAD7CA

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.52100 G 0.70838 B 0.52100

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.77003 G 0.85547 B 0.75768

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.55426 G 0.70216 B 0.53456

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.311 y 0.362 Y 65.500

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 25.098 M % 14.118 Y % 25.098

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

10111111 11011011 10111111