#C19D74

sRGB: 193 / 157 / 116

Celestial flames dissolve into silence
Shimmering rivers illuminate forgotten empires
Silver wings drift toward tomorrow

#C19D74 belongs to the orange family. Its hex code tells a screen to mix 193 red, 157 green and 116 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 31.9° lands in the orange region. Its 38.3% saturation makes it partway between gray and the most vivid version of this hue at this lightness. HSL lightness is 60.6% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (8.34:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 193, 157, 116
HSL: 31.95°, 38.31%, 60.59%
HSV / HSB: 31.95°, 39.90%, 75.69%
CMYK (approx.): 0.00%, 18.65%, 39.90%, 24.31%
CIE XYZ (D65, Y = 100 for white): 37.200, 36.713, 21.650
CIELAB (D65, 2° observer): 67.061, 7.719, 26.483
WCAG relative luminance: 0.36712
24-bit decimal: 12688756

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #C19D74 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 8.34:1

Normal text: AAA
Large text: AAA

White text: 2.52:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#7498C1 sits half a turn (180°) from #C19D74 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#C19D74 #7498C1

Analogous

#C17774 and #BFC174 sit 30° to either side of #C19D74. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#C17774 #C19D74 #BFC174

Triadic

#C19D74, #74C19D and #9D74C1 are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#C19D74 #74C19D #9D74C1

Split complementary

Start at #C19D74 and look across the wheel. #74BFC1 and #7674C1 sit 30° to either side of its exact opposite, giving you two different accent choices.

#C19D74 #74BFC1 #7674C1

Square

Starting with #C19D74, each quarter turn (90°) takes you to the next hue: #74C177, #7498C1, then #C174BF. Across the square, #C19D74 pairs with #7498C1, and #74C177 with #C174BF.

#C19D74 #74C177 #7498C1 #C174BF

Tetradic

#C19D74 and #7498C1 are opposites, as are #98C174 and #9D74C1. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#C19D74 #98C174 #7498C1 #9D74C1

Tints

Mixing #C19D74 with white in 20% steps produces this scale. The first mixture, #CDB190, keeps 80% of the original. By #F3EBE3, the mixture is 80% white.

#C19D74 #CDB190 #DAC4AC #E6D8C7 #F3EBE3 #FFFFFF

Shades

Mixing #C19D74 with black in 20% steps produces this scale. The first mixture, #9A7E5D, keeps 80% of the original. By #271F17, the mixture is 80% black.

#C19D74 #9A7E5D #745E46 #4D3F2E #271F17 #000000

Tones

Mixing #C19D74 with middle gray in 20% steps produces this scale. The first mixture, #B49776, keeps 80% of the original. By #8D867E, the mixture is 80% middle gray.

#C19D74 #B49776 #A79179 #9A8C7B #8D867E #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#C19D74

RGB

rgb(193 157 116)

HSL

hsl(31.948 38.308% 60.588%)

CSS example

.color-sample {
  background-color: #C19D74;
  color: #000000;
}

Channel breakdown

RGB

#C19D74 uses 193 red, 157 green and 116 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 75.7%

Green 61.6%

Blue 45.5%

CMYK

A simple CMYK estimate for #C19D74 is 0.0% cyan, 18.7% magenta, 39.9% yellow and 24.3% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 0.0%

Magenta 18.7%

Yellow 39.9%

Black 24.3%

Nearby colors

The nearest shorthand match is #BB9977. Its matching digit pairs let you write it as #B97 in CSS. For a modern design, keep #C19D74 when you want an exact match. Use its web-safe neighbor, #CC9966, when matching a legacy palette of 216 colors.

Nearest shorthand: #BB9977 Nearest web-safe: #CC9966

Gradient to complement

#C19D74 #B49C81 #A79B8E #9B9B9B #8E9AA7 #8199B4 #7498C1

Color vision previews

Compare how #C19D74 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#AA9E71

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#B2A775

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#CD9492

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#B39F72

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#B6A374

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#C39B80

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#A3A3A3

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#B3A08E

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.53328 G 0.33716 B 0.17465

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.73434 G 0.62105 B 0.47605

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.49846 G 0.34367 B 0.19254

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.389 y 0.384 Y 36.713

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 24.314 M % 38.431 Y % 54.510

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11000001 10011101 01110100