#C7F607

sRGB: 199 / 246 / 7

Celestial flames awaken with sunrise
Unbridled forces blossom beneath falling stars
Lost whispers embrace the coming dawn

#C7F607 belongs to the yellow family. Its hex code tells a screen to mix 199 red, 246 green and 7 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 71.8° lands in the yellow region. Its 94.5% saturation makes it strong in color at this lightness. HSL lightness is 49.6% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (16.61:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 199, 246, 7
HSL: 71.80°, 94.47%, 49.61%
HSV / HSB: 71.80°, 97.15%, 96.47%
CMYK (approx.): 19.11%, 0.00%, 97.15%, 3.53%
CIE XYZ (D65, Y = 100 for white): 56.545, 78.068, 12.291
CIELAB (D65, 2° observer): 90.811, -39.868, 87.506
WCAG relative luminance: 0.78069
24-bit decimal: 13104647

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #C7F607 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 16.61:1

Normal text: AAA
Large text: AAA

White text: 1.26:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#3607F6 sits half a turn (180°) from #C7F607 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#C7F607 #3607F6

Analogous

#F6AE07 and #4FF607 sit 30° to either side of #C7F607. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#F6AE07 #C7F607 #4FF607

Triadic

#C7F607, #07C7F6 and #F607C7 are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#C7F607 #07C7F6 #F607C7

Split complementary

Start at #C7F607 and look across the wheel. #074FF6 and #AE07F6 sit 30° to either side of its exact opposite, giving you two different accent choices.

#C7F607 #074FF6 #AE07F6

Square

Starting with #C7F607, each quarter turn (90°) takes you to the next hue: #07F6AE, #3607F6, then #F6074F. Across the square, #C7F607 pairs with #3607F6, and #07F6AE with #F6074F.

#C7F607 #07F6AE #3607F6 #F6074F

Tetradic

#C7F607 and #3607F6 are opposites, as are #07F636 and #F607C7. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#C7F607 #07F636 #3607F6 #F607C7

Tints

Mixing #C7F607 with white in 20% steps produces this scale. The first mixture, #D2F839, keeps 80% of the original. By #F4FDCD, the mixture is 80% white.

#C7F607 #D2F839 #DDFA6A #E9FB9C #F4FDCD #FFFFFF

Shades

Mixing #C7F607 with black in 20% steps produces this scale. The first mixture, #9FC506, keeps 80% of the original. By #283101, the mixture is 80% black.

#C7F607 #9FC506 #779404 #506203 #283101 #000000

Tones

Mixing #C7F607 with middle gray in 20% steps produces this scale. The first mixture, #B9DE1F, keeps 80% of the original. By #8E9868, the mixture is 80% middle gray.

#C7F607 #B9DE1F #ABC737 #9CAF50 #8E9868 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#C7F607

RGB

rgb(199 246 7)

HSL

hsl(71.799 94.466% 49.608%)

CSS example

.color-sample {
  background-color: #C7F607;
  color: #000000;
}

Channel breakdown

RGB

#C7F607 uses 199 red, 246 green and 7 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 78.0%

Green 96.5%

Blue 2.7%

CMYK

A simple CMYK estimate for #C7F607 is 19.1% cyan, 0.0% magenta, 97.2% yellow and 3.5% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 19.1%

Magenta 0.0%

Yellow 97.2%

Black 3.5%

Nearby colors

The nearest shorthand match is #CCEE00. Its matching digit pairs let you write it as #CE0 in CSS. For a modern design, keep #C7F607 when you want an exact match. Use its web-safe neighbor, #CCFF00, when matching a legacy palette of 216 colors.

Nearest shorthand: #CCEE00 Nearest web-safe: #CCFF00

Gradient to complement

#C7F607 #AFCE2F #97A657 #7F7F7F #6657A6 #4E2FCE #3607F6

Color vision previews

Compare how #C7F607 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#FFE600

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#FFE534

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#D2E9D1

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#F2EB00

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#F0EA28

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#CCF185

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#E5E5E5

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#D6EEA8

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.57112 G 0.92158 B 0.00212

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.81717 G 0.95932 B 0.31024

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.63334 G 0.90995 B 0.07841

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.385 y 0.531 Y 78.068

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 21.961 M % 3.529 Y % 97.255

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11000111 11110110 00000111