#CED7EB

sRGB: 206 / 215 / 235

Celestial flames fracture ancient heavens
Electric visions unfold through ancient forests
Infinite wonders defy the passing ages

#CED7EB belongs to the azure family. Its hex code tells a screen to mix 206 red, 215 green and 235 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 221.4° lands in the azure region. Its 42.0% saturation makes it partway between gray and the most vivid version of this hue at this lightness. HSL lightness is 86.5% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (14.54:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 206, 215, 235
HSL: 221.38°, 42.03%, 86.47%
HSV / HSB: 221.38°, 12.34%, 92.16%
CMYK (approx.): 12.34%, 8.51%, 0.00%, 7.84%
CIE XYZ (D65, Y = 100 for white): 64.746, 67.720, 88.260
CIELAB (D65, 2° observer): 85.866, 0.864, -10.835
WCAG relative luminance: 0.67721
24-bit decimal: 13555691

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #CED7EB in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 14.54:1

Normal text: AAA
Large text: AAA

White text: 1.44:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#EBE2CE sits half a turn (180°) from #CED7EB on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#CED7EB #EBE2CE

Analogous

#CEE6EB and #D3CEEB sit 30° to either side of #CED7EB. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#CEE6EB #CED7EB #D3CEEB

Triadic

#CED7EB, #EBCED7 and #D7EBCE are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#CED7EB #EBCED7 #D7EBCE

Split complementary

Start at #CED7EB and look across the wheel. #EBD3CE and #E6EBCE sit 30° to either side of its exact opposite, giving you two different accent choices.

#CED7EB #EBD3CE #E6EBCE

Square

Starting with #CED7EB, each quarter turn (90°) takes you to the next hue: #EBCEE6, #EBE2CE, then #CEEBD3. Across the square, #CED7EB pairs with #EBE2CE, and #EBCEE6 with #CEEBD3.

#CED7EB #EBCEE6 #EBE2CE #CEEBD3

Tetradic

#CED7EB and #EBE2CE are opposites, as are #E2CEEB and #D7EBCE. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#CED7EB #E2CEEB #EBE2CE #D7EBCE

Tints

Mixing #CED7EB with white in 20% steps produces this scale. The first mixture, #D8DFEF, keeps 80% of the original. By #F5F7FB, the mixture is 80% white.

#CED7EB #D8DFEF #E2E7F3 #EBEFF7 #F5F7FB #FFFFFF

Shades

Mixing #CED7EB with black in 20% steps produces this scale. The first mixture, #A5ACBC, keeps 80% of the original. By #292B2F, the mixture is 80% black.

#CED7EB #A5ACBC #7C818D #52565E #292B2F #000000

Tones

Mixing #CED7EB with middle gray in 20% steps produces this scale. The first mixture, #BEC6D6, keeps 80% of the original. By #909195, the mixture is 80% middle gray.

#CED7EB #BEC6D6 #AFB4C0 #9FA3AB #909195 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#CED7EB

RGB

rgb(206 215 235)

HSL

hsl(221.379 42.029% 86.471%)

CSS example

.color-sample {
  background-color: #CED7EB;
  color: #000000;
}

Channel breakdown

RGB

#CED7EB uses 206 red, 215 green and 235 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 80.8%

Green 84.3%

Blue 92.2%

CMYK

A simple CMYK estimate for #CED7EB is 12.3% cyan, 8.5% magenta, 0.0% yellow and 7.8% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 12.3%

Magenta 8.5%

Yellow 0.0%

Black 7.8%

Nearby colors

The nearest shorthand match is #CCDDEE. Its matching digit pairs let you write it as #CDE in CSS. For a modern design, keep #CED7EB when you want an exact match. Use its web-safe neighbor, #CCCCFF, when matching a legacy palette of 216 colors.

Nearest shorthand: #CCDDEE Nearest web-safe: #CCCCFF

Gradient to complement

#CED7EB #D3D9E6 #D8DBE1 #DDDDDD #E1DED8 #E6E0D3 #EBE2CE

Color vision previews

Compare how #CED7EB appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#D1D8EC

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#CFD6EB

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#C7DBDD

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#D0D7EC

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#CFD6EB

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#CDD8E6

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#D7D7D7

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#D2D7E1

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.61721 G 0.67954 B 0.83077

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.81426 G 0.84200 B 0.91438

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.62827 G 0.67747 B 0.81617

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.293 y 0.307 Y 67.720

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 19.216 M % 15.686 Y % 7.843

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11001110 11010111 11101011