#D7FBCD

sRGB: 215 / 251 / 205

Thunderous oceans awaken with sunrise
Unbridled forces shimmer across boundless heavens
Boundless spirits shatter the chains of fate

#D7FBCD belongs to the green family. Its hex code tells a screen to mix 215 red, 251 green and 205 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 107.0° lands in the green region. Its 85.2% saturation makes it strong in color at this lightness. HSL lightness is 89.4% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (18.57:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 215, 251, 205
HSL: 106.96°, 85.19%, 89.41%
HSV / HSB: 106.96°, 18.33%, 98.43%
CMYK (approx.): 14.34%, 0.00%, 18.33%, 1.57%
CIE XYZ (D65, Y = 100 for white): 73.538, 87.848, 70.842
CIELAB (D65, 2° observer): 95.097, -19.849, 18.256
WCAG relative luminance: 0.87849
24-bit decimal: 14154701

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #D7FBCD in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 18.57:1

Normal text: AAA
Large text: AAA

White text: 1.13:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#F1CDFB sits half a turn (180°) from #D7FBCD on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#D7FBCD #F1CDFB

Analogous

#EEFBCD and #CDFBDA sit 30° to either side of #D7FBCD. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#EEFBCD #D7FBCD #CDFBDA

Triadic

#D7FBCD, #CDD7FB and #FBCDD7 are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#D7FBCD #CDD7FB #FBCDD7

Split complementary

Start at #D7FBCD and look across the wheel. #DACDFB and #FBCDEE sit 30° to either side of its exact opposite, giving you two different accent choices.

#D7FBCD #DACDFB #FBCDEE

Square

Starting with #D7FBCD, each quarter turn (90°) takes you to the next hue: #CDEEFB, #F1CDFB, then #FBDACD. Across the square, #D7FBCD pairs with #F1CDFB, and #CDEEFB with #FBDACD.

#D7FBCD #CDEEFB #F1CDFB #FBDACD

Tetradic

#D7FBCD and #F1CDFB are opposites, as are #CDFBF1 and #FBCDD7. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#D7FBCD #CDFBF1 #F1CDFB #FBCDD7

Tints

Mixing #D7FBCD with white in 20% steps produces this scale. The first mixture, #DFFCD7, keeps 80% of the original. By #F7FEF5, the mixture is 80% white.

#D7FBCD #DFFCD7 #E7FDE1 #EFFDEB #F7FEF5 #FFFFFF

Shades

Mixing #D7FBCD with black in 20% steps produces this scale. The first mixture, #ACC9A4, keeps 80% of the original. By #2B3229, the mixture is 80% black.

#D7FBCD #ACC9A4 #81977B #566452 #2B3229 #000000

Tones

Mixing #D7FBCD with middle gray in 20% steps produces this scale. The first mixture, #C6E2BE, keeps 80% of the original. By #91998F, the mixture is 80% middle gray.

#D7FBCD #C6E2BE #B4CAAE #A3B19F #91998F #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#D7FBCD

RGB

rgb(215 251 205)

HSL

hsl(106.957 85.185% 89.412%)

CSS example

.color-sample {
  background-color: #D7FBCD;
  color: #000000;
}

Channel breakdown

RGB

#D7FBCD uses 215 red, 251 green and 205 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 84.3%

Green 98.4%

Blue 80.4%

CMYK

A simple CMYK estimate for #D7FBCD is 14.3% cyan, 0.0% magenta, 18.3% yellow and 1.6% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 14.3%

Magenta 0.0%

Yellow 18.3%

Black 1.6%

Nearby colors

The nearest shorthand match is #DDFFCC. Its matching digit pairs let you write it as #DFC in CSS. For a modern design, keep #D7FBCD when you want an exact match. Use its web-safe neighbor, #CCFFCC, when matching a legacy palette of 216 colors.

Nearest shorthand: #DDFFCC Nearest web-safe: #CCFFCC

Gradient to complement

#D7FBCD #DBF3D5 #E0ECDC #E4E4E4 #E8DCEC #EDD5F3 #F1CDFB

Color vision previews

Compare how #D7FBCD appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#FEF3CA

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#F8F0CF

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#D6F8EE

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#F1F5CC

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#EFF3CE

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#D9F9DA

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#F1F1F1

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#E4F6E0

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.67954 G 0.96469 B 0.61050

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.87043 G 0.98005 B 0.81945

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.73017 G 0.95522 B 0.63732

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.317 y 0.378 Y 87.848

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 15.686 M % 1.569 Y % 19.608

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11010111 11111011 11001101