#EA4632

sRGB: 234 / 70 / 50

Infinite horizons flourish beyond boundaries
Sleeping valleys blossom beneath falling stars
Fleeting moments disappear into mist

#EA4632 belongs to the red family. Its hex code tells a screen to mix 234 red, 70 green and 50 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 6.5° lands in the red region. Its 81.4% saturation makes it strong in color at this lightness. HSL lightness is 55.7% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (5.42:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 234, 70, 50
HSL: 6.52°, 81.42%, 55.69%
HSV / HSB: 6.52°, 78.63%, 91.76%
CMYK (approx.): 0.00%, 70.09%, 78.63%, 8.24%
CIE XYZ (D65, Y = 100 for white): 36.697, 22.106, 5.352
CIELAB (D65, 2° observer): 54.139, 61.759, 47.671
WCAG relative luminance: 0.22103
24-bit decimal: 15353394

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #EA4632 in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 5.42:1

Normal text: AA
Large text: AAA

White text: 3.87:1

Normal text: Fail
Large text: AA

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#32D6EA sits half a turn (180°) from #EA4632 on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#EA4632 #32D6EA

Analogous

#EA327A and #EAA232 sit 30° to either side of #EA4632. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#EA327A #EA4632 #EAA232

Triadic

#EA4632, #32EA46 and #4632EA are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#EA4632 #32EA46 #4632EA

Split complementary

Start at #EA4632 and look across the wheel. #32EAA2 and #327AEA sit 30° to either side of its exact opposite, giving you two different accent choices.

#EA4632 #32EAA2 #327AEA

Square

Starting with #EA4632, each quarter turn (90°) takes you to the next hue: #7AEA32, #32D6EA, then #A232EA. Across the square, #EA4632 pairs with #32D6EA, and #7AEA32 with #A232EA.

#EA4632 #7AEA32 #32D6EA #A232EA

Tetradic

#EA4632 and #32D6EA are opposites, as are #D6EA32 and #4632EA. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#EA4632 #D6EA32 #32D6EA #4632EA

Tints

Mixing #EA4632 with white in 20% steps produces this scale. The first mixture, #EE6B5B, keeps 80% of the original. By #FBDAD6, the mixture is 80% white.

#EA4632 #EE6B5B #F29084 #F7B5AD #FBDAD6 #FFFFFF

Shades

Mixing #EA4632 with black in 20% steps produces this scale. The first mixture, #BB3828, keeps 80% of the original. By #2F0E0A, the mixture is 80% black.

#EA4632 #BB3828 #8C2A1E #5E1C14 #2F0E0A #000000

Tones

Mixing #EA4632 with middle gray in 20% steps produces this scale. The first mixture, #D55242, keeps 80% of the original. By #957470, the mixture is 80% middle gray.

#EA4632 #D55242 #C05D51 #AA6961 #957470 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#EA4632

RGB

rgb(234 70 50)

HSL

hsl(6.522 81.416% 55.686%)

CSS example

.color-sample {
  background-color: #EA4632;
  color: #000000;
}

Channel breakdown

RGB

#EA4632 uses 234 red, 70 green and 50 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 91.8%

Green 27.5%

Blue 19.6%

CMYK

A simple CMYK estimate for #EA4632 is 0.0% cyan, 70.1% magenta, 78.6% yellow and 8.2% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 0.0%

Magenta 70.1%

Yellow 78.6%

Black 8.2%

Nearby colors

The nearest shorthand match is #EE4433. Its matching digit pairs let you write it as #E43 in CSS. For a modern design, keep #EA4632 when you want an exact match. Use its web-safe neighbor, #FF3333, when matching a legacy palette of 216 colors.

Nearest shorthand: #EE4433 Nearest web-safe: #FF3333

Gradient to complement

#EA4632 #CB5E51 #AD766F #8E8E8E #6FA6AD #51BECB #32D6EA

Color vision previews

Compare how #EA4632 appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#776A2E

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#9F8F2B

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#FF0043

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#AC652C

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#B97B2B

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#EC423B

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#818181

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#BF6964

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.82279 G 0.06125 B 0.03190

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.84755 G 0.32553 B 0.24148

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.68758 G 0.08652 B 0.04753

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.572 y 0.345 Y 22.106

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 8.235 M % 72.549 Y % 80.392

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11101010 01000110 00110010