#EBCEDF

sRGB: 235 / 206 / 223

Infinite horizons rise against oblivion
Majestic waterfalls transcend the boundaries of time
Fierce revelations echo beyond eternity

#EBCEDF belongs to the rose family. Its hex code tells a screen to mix 235 red, 206 green and 223 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 324.8° lands in the rose region. Its 42.0% saturation makes it partway between gray and the most vivid version of this hue at this lightness. HSL lightness is 86.5% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (14.43:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 235, 206, 223
HSL: 324.83°, 42.03%, 86.47%
HSV / HSB: 324.83°, 12.34%, 92.16%
CMYK (approx.): 0.00%, 12.34%, 5.11%, 7.84%
CIE XYZ (D65, Y = 100 for white): 69.648, 67.133, 79.103
CIELAB (D65, 2° observer): 85.571, 12.972, -4.659
WCAG relative luminance: 0.67132
24-bit decimal: 15453919

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #EBCEDF in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 14.43:1

Normal text: AAA
Large text: AAA

White text: 1.46:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#CEEBDA sits half a turn (180°) from #EBCEDF on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#EBCEDF #CEEBDA

Analogous

#E8CEEB and #EBCED1 sit 30° to either side of #EBCEDF. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#E8CEEB #EBCEDF #EBCED1

Triadic

#EBCEDF, #DFEBCE and #CEDFEB are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#EBCEDF #DFEBCE #CEDFEB

Split complementary

Start at #EBCEDF and look across the wheel. #D1EBCE and #CEEBE8 sit 30° to either side of its exact opposite, giving you two different accent choices.

#EBCEDF #D1EBCE #CEEBE8

Square

Starting with #EBCEDF, each quarter turn (90°) takes you to the next hue: #EBE8CE, #CEEBDA, then #CED1EB. Across the square, #EBCEDF pairs with #CEEBDA, and #EBE8CE with #CED1EB.

#EBCEDF #EBE8CE #CEEBDA #CED1EB

Tetradic

#EBCEDF and #CEEBDA are opposites, as are #EBDACE and #CEDFEB. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#EBCEDF #EBDACE #CEEBDA #CEDFEB

Tints

Mixing #EBCEDF with white in 20% steps produces this scale. The first mixture, #EFD8E5, keeps 80% of the original. By #FBF5F9, the mixture is 80% white.

#EBCEDF #EFD8E5 #F3E2EC #F7EBF2 #FBF5F9 #FFFFFF

Shades

Mixing #EBCEDF with black in 20% steps produces this scale. The first mixture, #BCA5B2, keeps 80% of the original. By #2F292D, the mixture is 80% black.

#EBCEDF #BCA5B2 #8D7C86 #5E5259 #2F292D #000000

Tones

Mixing #EBCEDF with middle gray in 20% steps produces this scale. The first mixture, #D6BECC, keeps 80% of the original. By #959093, the mixture is 80% middle gray.

#EBCEDF #D6BECC #C0AFB9 #AB9FA6 #959093 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#EBCEDF

RGB

rgb(235 206 223)

HSL

hsl(324.828 42.029% 86.471%)

CSS example

.color-sample {
  background-color: #EBCEDF;
  color: #000000;
}

Channel breakdown

RGB

#EBCEDF uses 235 red, 206 green and 223 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 92.2%

Green 80.8%

Blue 87.5%

CMYK

A simple CMYK estimate for #EBCEDF is 0.0% cyan, 12.3% magenta, 5.1% yellow and 7.8% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 0.0%

Magenta 12.3%

Yellow 5.1%

Black 7.8%

Nearby colors

The nearest shorthand match is #EECCDD. Its matching digit pairs let you write it as #ECD in CSS. For a modern design, keep #EBCEDF when you want an exact match. Use its web-safe neighbor, #FFCCCC, when matching a legacy palette of 216 colors.

Nearest shorthand: #EECCDD Nearest web-safe: #FFCCCC

Gradient to complement

#EBCEDF #E6D3DE #E1D8DD #DDDDDD #D8E1DC #D3E6DB #CEEBDA

Color vision previews

Compare how #EBCEDF appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#CFD3E0

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#D5D7DE

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#EFCED4

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#DAD2DF

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#DCD4DE

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#EBCFDB

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#D6D6D6

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#E1D2DA

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.83077 G 0.61721 B 0.73791

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.90274 G 0.81196 B 0.87075

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.79285 G 0.62430 B 0.73076

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.323 y 0.311 Y 67.133

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 7.843 M % 19.216 Y % 12.549

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11101011 11001110 11011111