#EFE0BE

sRGB: 239 / 224 / 190

Infinite horizons reshape eternity
Immortal legends fade beyond remembrance
Eternal flames transcend the limits of dreams

#EFE0BE belongs to the orange family. Its hex code tells a screen to mix 239 red, 224 green and 190 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 41.6° lands in the orange region. Its 60.5% saturation makes it partway between gray and the most vivid version of this hue at this lightness. HSL lightness is 84.1% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (16.08:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 239, 224, 190
HSL: 41.63°, 60.49%, 84.12%
HSV / HSB: 41.63°, 20.50%, 93.73%
CMYK (approx.): 0.00%, 6.28%, 20.50%, 6.27%
CIE XYZ (D65, Y = 100 for white): 71.544, 75.380, 59.498
CIELAB (D65, 2° observer): 89.571, -0.216, 18.520
WCAG relative luminance: 0.75380
24-bit decimal: 15720638

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #EFE0BE in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 16.08:1

Normal text: AAA
Large text: AAA

White text: 1.31:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#BECDEF sits half a turn (180°) from #EFE0BE on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#EFE0BE #BECDEF

Analogous

#EFC7BE and #E6EFBE sit 30° to either side of #EFE0BE. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#EFC7BE #EFE0BE #E6EFBE

Triadic

#EFE0BE, #BEEFE0 and #E0BEEF are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#EFE0BE #BEEFE0 #E0BEEF

Split complementary

Start at #EFE0BE and look across the wheel. #BEE6EF and #C7BEEF sit 30° to either side of its exact opposite, giving you two different accent choices.

#EFE0BE #BEE6EF #C7BEEF

Square

Starting with #EFE0BE, each quarter turn (90°) takes you to the next hue: #BEEFC7, #BECDEF, then #EFBEE6. Across the square, #EFE0BE pairs with #BECDEF, and #BEEFC7 with #EFBEE6.

#EFE0BE #BEEFC7 #BECDEF #EFBEE6

Tetradic

#EFE0BE and #BECDEF are opposites, as are #CDEFBE and #E0BEEF. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#EFE0BE #CDEFBE #BECDEF #E0BEEF

Tints

Mixing #EFE0BE with white in 20% steps produces this scale. The first mixture, #F2E6CB, keeps 80% of the original. By #FCF9F2, the mixture is 80% white.

#EFE0BE #F2E6CB #F5ECD8 #F9F3E5 #FCF9F2 #FFFFFF

Shades

Mixing #EFE0BE with black in 20% steps produces this scale. The first mixture, #BFB398, keeps 80% of the original. By #302D26, the mixture is 80% black.

#EFE0BE #BFB398 #8F8672 #605A4C #302D26 #000000

Tones

Mixing #EFE0BE with middle gray in 20% steps produces this scale. The first mixture, #D9CDB2, keeps 80% of the original. By #96938C, the mixture is 80% middle gray.

#EFE0BE #D9CDB2 #C3BAA5 #ACA699 #96938C #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#EFE0BE

RGB

rgb(239 224 190)

HSL

hsl(41.633 60.494% 84.118%)

CSS example

.color-sample {
  background-color: #EFE0BE;
  color: #000000;
}

Channel breakdown

RGB

#EFE0BE uses 239 red, 224 green and 190 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 93.7%

Green 87.8%

Blue 74.5%

CMYK

A simple CMYK estimate for #EFE0BE is 0.0% cyan, 6.3% magenta, 20.5% yellow and 6.3% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 0.0%

Magenta 6.3%

Yellow 20.5%

Black 6.3%

Nearby colors

The nearest shorthand match is #EEDDBB. Its matching digit pairs let you write it as #EDB in CSS. For a modern design, keep #EFE0BE when you want an exact match. Use its web-safe neighbor, #FFCCCC, when matching a legacy palette of 216 colors.

Nearest shorthand: #EEDDBB Nearest web-safe: #FFCCCC

Gradient to complement

#EFE0BE #E7DDC6 #DFDACE #D7D7D7 #CED3DF #C6D0E7 #BECDEF

Color vision previews

Compare how #EFE0BE appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#E8DFBC

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#ECE3BF

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#F8DAD6

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#EBE0BD

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#EDE2BE

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#F0DEC8

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#E1E1E1

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#E8E1D1

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.86316 G 0.74540 B 0.51492

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.92717 G 0.88047 B 0.75957

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.84225 G 0.74931 B 0.53755

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.347 y 0.365 Y 75.380

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 6.275 M % 12.157 Y % 25.490

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11101111 11100000 10111110