#F113FF

sRGB: 241 / 19 / 255

#F113FF belongs to the magenta family. Its hex code tells a screen to mix 241 red, 19 green and 255 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 296.4° lands in the magenta region. Its 100.0% saturation makes it strong in color at this lightness. HSL lightness is 53.7% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (6.28:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 241, 19, 255
HSL: 296.44°, 100.00%, 53.73%
HSV / HSB: 296.44°, 92.55%, 100.00%
CMYK (approx.): 5.49%, 92.55%, 0.00%, 0.00%
CIE XYZ (D65, Y = 100 for white): 54.556, 26.389, 96.831
CIELAB (D65, 2° observer): 58.405, 94.824, -64.033
WCAG relative luminance: 0.26387
24-bit decimal: 15799295

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #F113FF in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 6.28:1

Normal text: AA
Large text: AAA

White text: 3.35:1

Normal text: Fail
Large text: AA

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#21FF13 sits half a turn (180°) from #F113FF on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#F113FF #21FF13

Analogous

#7B13FF and #FF1397 sit 30° to either side of #F113FF. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#7B13FF #F113FF #FF1397

Triadic

#F113FF, #FFF113 and #13FFF1 are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#F113FF #FFF113 #13FFF1

Split complementary

Start at #F113FF and look across the wheel. #97FF13 and #13FF7B sit 30° to either side of its exact opposite, giving you two different accent choices.

#F113FF #97FF13 #13FF7B

Square

Starting with #F113FF, each quarter turn (90°) takes you to the next hue: #FF7B13, #21FF13, then #1397FF. Across the square, #F113FF pairs with #21FF13, and #FF7B13 with #1397FF.

#F113FF #FF7B13 #21FF13 #1397FF

Tetradic

#F113FF and #21FF13 are opposites, as are #FF1321 and #13FFF1. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#F113FF #FF1321 #21FF13 #13FFF1

Tints

Mixing #F113FF with white in 20% steps produces this scale. The first mixture, #F442FF, keeps 80% of the original. By #FCD0FF, the mixture is 80% white.

#F113FF #F442FF #F771FF #F9A1FF #FCD0FF #FFFFFF

Shades

Mixing #F113FF with black in 20% steps produces this scale. The first mixture, #C10FCC, keeps 80% of the original. By #300433, the mixture is 80% black.

#F113FF #C10FCC #910B99 #600866 #300433 #000000

Tones

Mixing #F113FF with middle gray in 20% steps produces this scale. The first mixture, #DA29E6, keeps 80% of the original. By #976A99, the mixture is 80% middle gray.

#F113FF #DA29E6 #C43FCC #AD54B3 #976A99 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#F113FF

RGB

rgb(241 19 255)

HSL

hsl(296.441 100.000% 53.725%)

CSS example

.color-sample {
  background-color: #F113FF;
  color: #000000;
}

Channel breakdown

RGB

#F113FF uses 241 red, 19 green and 255 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 94.5%

Green 7.5%

Blue 100.0%

CMYK

A simple CMYK estimate for #F113FF is 5.5% cyan, 92.5% magenta, 0.0% yellow and 0.0% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 5.5%

Magenta 92.5%

Yellow 0.0%

Black 0.0%

Nearby colors

The nearest shorthand match is #EE11FF. Its matching digit pairs let you write it as #E1F in CSS. For a modern design, keep #F113FF when you want an exact match. Use its web-safe neighbor, #FF00FF, when matching a legacy palette of 216 colors.

Nearest shorthand: #EE11FF Nearest web-safe: #FF00FF

Gradient to complement

#F113FF #CE3AD8 #AC62B0 #898989 #66B062 #44D83A #21FF13

Color vision previews

Compare how #F113FF appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#007DFF

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#5994FA

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#F65298

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#8E6BFF

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#9C7CFC

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#ED3EE1

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#8C8C8C

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#C767D0

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.87962 G 0.00651 B 1.00000

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.86749 G 0.20751 B 0.96675

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.72461 G 0.03549 B 0.92602

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.307 y 0.148 Y 26.389

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 5.490 M % 92.549 Y % 0.000

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11110001 00010011 11111111