#FB80FF

sRGB: 251 / 128 / 255

Cosmic tempests rise against oblivion
Morning melodies fade beyond remembrance
Celestial symphonies echo beyond eternity

#FB80FF belongs to the magenta family. Its hex code tells a screen to mix 251 red, 128 green and 255 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 298.1° lands in the magenta region. Its 100.0% saturation makes it strong in color at this lightness. HSL lightness is 75.1% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (9.63:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 251, 128, 255
HSL: 298.11°, 100.00%, 75.10%
HSV / HSB: 298.11°, 49.80%, 100.00%
CMYK (approx.): 1.57%, 49.80%, 0.00%, 0.00%
CIE XYZ (D65, Y = 100 for white): 65.550, 43.170, 99.491
CIELAB (D65, 2° observer): 71.670, 63.868, -42.907
WCAG relative luminance: 0.43168
24-bit decimal: 16482559

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #FB80FF in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 9.63:1

Normal text: AAA
Large text: AAA

White text: 2.18:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#84FF80 sits half a turn (180°) from #FB80FF on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#FB80FF #84FF80

Analogous

#BB80FF and #FF80C4 sit 30° to either side of #FB80FF. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#BB80FF #FB80FF #FF80C4

Triadic

#FB80FF, #FFFB80 and #80FFFB are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#FB80FF #FFFB80 #80FFFB

Split complementary

Start at #FB80FF and look across the wheel. #C4FF80 and #80FFBB sit 30° to either side of its exact opposite, giving you two different accent choices.

#FB80FF #C4FF80 #80FFBB

Square

Starting with #FB80FF, each quarter turn (90°) takes you to the next hue: #FFBB80, #84FF80, then #80C4FF. Across the square, #FB80FF pairs with #84FF80, and #FFBB80 with #80C4FF.

#FB80FF #FFBB80 #84FF80 #80C4FF

Tetradic

#FB80FF and #84FF80 are opposites, as are #FF8084 and #80FFFB. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#FB80FF #FF8084 #84FF80 #80FFFB

Tints

Mixing #FB80FF with white in 20% steps produces this scale. The first mixture, #FC99FF, keeps 80% of the original. By #FEE6FF, the mixture is 80% white.

#FB80FF #FC99FF #FDB3FF #FDCCFF #FEE6FF #FFFFFF

Shades

Mixing #FB80FF with black in 20% steps produces this scale. The first mixture, #C966CC, keeps 80% of the original. By #321A33, the mixture is 80% black.

#FB80FF #C966CC #974D99 #643366 #321A33 #000000

Tones

Mixing #FB80FF with middle gray in 20% steps produces this scale. The first mixture, #E280E6, keeps 80% of the original. By #998099, the mixture is 80% middle gray.

#FB80FF #E280E6 #CA80CC #B180B3 #998099 #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#FB80FF

RGB

rgb(251 128 255)

HSL

hsl(298.110 100.000% 75.098%)

CSS example

.color-sample {
  background-color: #FB80FF;
  color: #000000;
}

Channel breakdown

RGB

#FB80FF uses 251 red, 128 green and 255 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 98.4%

Green 50.2%

Blue 100.0%

CMYK

A simple CMYK estimate for #FB80FF is 1.6% cyan, 49.8% magenta, 0.0% yellow and 0.0% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 1.6%

Magenta 49.8%

Yellow 0.0%

Black 0.0%

Nearby colors

The nearest shorthand match is #FF88FF. Its matching digit pairs let you write it as #F8F in CSS. For a modern design, keep #FB80FF when you want an exact match. Use its web-safe neighbor, #FF99FF, when matching a legacy palette of 216 colors.

Nearest shorthand: #FF88FF Nearest web-safe: #FF99FF

Gradient to complement

#FB80FF #E795EA #D3AAD5 #C0C0C0 #ACD5AA #98EA95 #84FF80

Color vision previews

Compare how #FB80FF appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#72A6FF

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#98B5FB

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#FF8FB4

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#B39CFF

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#BCA6FD

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#F889E8

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#B0B0B0

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#DA9ADC

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 0.96469 G 0.21586 B 1.00000

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.92204 G 0.52784 B 0.97434

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.83174 G 0.24072 B 0.94263

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.315 y 0.207 Y 43.170

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 1.569 M % 49.804 Y % 0.000

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11111011 10000000 11111111