#FFDBCC

sRGB: 255 / 219 / 204

Cosmic tempests reshape eternity
Electric visions shimmer across boundless heavens
Boundless spirits awaken sleeping galaxies

#FFDBCC belongs to the orange family. Its hex code tells a screen to mix 255 red, 219 green and 204 blue on a scale of 0 to 255. On the HSL wheel, hue is a position around a circle: 17.6° lands in the orange region. Its 100.0% saturation makes it strong in color at this lightness. HSL lightness is 90.0% on a scale from black (0%) to white (100%). Of black and white lettering, black has the clearer light-to-dark separation on this background (16.26:1), which helps the shapes of letters stand out.

Color conversions

sRGB (8-bit): 255, 219, 204
HSL: 17.65°, 100.00%, 90.00%
HSV / HSB: 17.65°, 20.00%, 100.00%
CMYK (approx.): 0.00%, 14.12%, 20.00%, 0.00%
CIE XYZ (D65, Y = 100 for white): 77.467, 76.284, 67.772
CIELAB (D65, 2° observer): 89.991, 10.195, 11.992
WCAG relative luminance: 0.76283
24-bit decimal: 16767948

CMYK uses a profile-free approximation. Printed output depends on the press, ink and paper. Lab uses a D65 white point.

Text contrast

Contrast tells you how clearly lettering separates from #FFDBCC in light and dark. The ratio compares relative luminance, a measure of light weighted for human vision. Identical colors give 1:1 and black against white gives 21:1. A ratio of 2.99:1 falls just below the 3:1 AA minimum for large text. Body text needs at least 4.5:1 because its finer strokes are harder to distinguish.

Black text: 16.26:1

Normal text: AAA
Large text: AAA

White text: 1.29:1

Normal text: Fail
Large text: Fail

AA and AAA are WCAG accessibility levels. AAA sets a higher bar: 7:1 for normal text and 4.5:1 for large text. Large text begins at 18 pt regular or 14 pt bold. Ratings use the unrounded ratio.

Reference: WCAG text contrast guidance

Palettes & scales

Harmonies rotate the hue. Scales mix the starting color with white, black or middle gray in 20% steps in encoded sRGB.

Complementary

#CCF0FF sits half a turn (180°) from #FFDBCC on the HSL wheel. Keeping saturation and lightness steady while crossing to the opposite hue gives you a contrasting accent. Check text contrast separately before using the pair for lettering.

#FFDBCC #CCF0FF

Analogous

#FFCCD7 and #FFF4CC sit 30° to either side of #FFDBCC. The three hues are neighbors on the wheel, so you can change the color of a border or highlight while keeping it close to the original.

#FFCCD7 #FFDBCC #FFF4CC

Triadic

#FFDBCC, #CCFFDB and #DBCCFF are spaced 120° apart, forming a triangle on the wheel. Try one for the main color and the other two for accents.

#FFDBCC #CCFFDB #DBCCFF

Split complementary

Start at #FFDBCC and look across the wheel. #CCFFF4 and #CCD7FF sit 30° to either side of its exact opposite, giving you two different accent choices.

#FFDBCC #CCFFF4 #CCD7FF

Square

Starting with #FFDBCC, each quarter turn (90°) takes you to the next hue: #D7FFCC, #CCF0FF, then #F4CCFF. Across the square, #FFDBCC pairs with #CCF0FF, and #D7FFCC with #F4CCFF.

#FFDBCC #D7FFCC #CCF0FF #F4CCFF

Tetradic

#FFDBCC and #CCF0FF are opposites, as are #F0FFCC and #DBCCFF. Together they form a rectangle on the wheel, with alternating gaps of 60° and 120°.

#FFDBCC #F0FFCC #CCF0FF #DBCCFF

Tints

Mixing #FFDBCC with white in 20% steps produces this scale. The first mixture, #FFE2D6, keeps 80% of the original. By #FFF8F5, the mixture is 80% white.

#FFDBCC #FFE2D6 #FFE9E0 #FFF1EB #FFF8F5 #FFFFFF

Shades

Mixing #FFDBCC with black in 20% steps produces this scale. The first mixture, #CCAFA3, keeps 80% of the original. By #332C29, the mixture is 80% black.

#FFDBCC #CCAFA3 #99837A #665852 #332C29 #000000

Tones

Mixing #FFDBCC with middle gray in 20% steps produces this scale. The first mixture, #E6C9BD, keeps 80% of the original. By #99928F, the mixture is 80% middle gray.

#FFDBCC #E6C9BD #CCB7AE #B3A49E #99928F #808080

Copy color codes

Hex, RGB and HSL are three ways to write this screen color. Paste any of them into a CSS color property.

Hex

#FFDBCC

RGB

rgb(255 219 204)

HSL

hsl(17.647 100.000% 90.000%)

CSS example

.color-sample {
  background-color: #FFDBCC;
  color: #000000;
}

Channel breakdown

RGB

#FFDBCC uses 255 red, 219 green and 204 blue. Each bar shows how much of that channel’s 0–255 range the screen uses.

Red 100.0%

Green 85.9%

Blue 80.0%

CMYK

A simple CMYK estimate for #FFDBCC is 0.0% cyan, 14.1% magenta, 20.0% yellow and 0.0% black. These are ink amounts; a printer profile is needed to predict the result on paper.

Cyan 0.0%

Magenta 14.1%

Yellow 20.0%

Black 0.0%

Nearby colors

The nearest shorthand match is #FFDDCC. Its matching digit pairs let you write it as #FDC in CSS. For a modern design, keep #FFDBCC when you want an exact match. Use its web-safe neighbor, #FFCCCC, when matching a legacy palette of 216 colors.

Nearest shorthand: #FFDDCC Nearest web-safe: #FFCCCC

Gradient to complement

#FFDBCC #F7DFD5 #EEE2DD #E6E6E6 #DDE9EE #D5EDF7 #CCF0FF

Color vision previews

Compare how #FFDBCC appears in each simulation. When two chart lines or status indicators become hard to tell apart, a label, shape or line pattern gives readers another way to distinguish them. Individual perception varies.

Protanopia

A red–green color vision deficiency. Without a distinct response from long-wavelength cones, some reds and greens can look alike, and reds can appear darker.

#E4DECB

Deuteranopia

A red–green color vision deficiency. Without a distinct response from medium-wavelength cones, some greens can be difficult to distinguish from reds or browns.

#ECE5CC

Tritanopia

A blue–yellow color vision deficiency. Without a distinct response from short-wavelength cones, blue can resemble green, and yellow can resemble pink.

#FFD6D7

Protanomaly (50%)

An altered long-wavelength cone response can make reds appear dimmer and harder to distinguish from greens. This swatch shows the model’s halfway setting.

#EEDECB

Deuteranomaly (50%)

An altered medium-wavelength cone response can reduce the visible difference between reds and greens. This swatch shows the model’s halfway setting.

#F2E2CC

Tritanomaly (50%)

An altered short-wavelength cone response can make blue harder to distinguish from green. This swatch shows the model’s halfway setting.

#FFDAD0

Grayscale (luminance)

This design check removes hue and preserves relative luminance so you can compare light and dark areas.

#E2E2E2

Partial grayscale (50% blend)

This design check mixes the original color halfway toward its grayscale equivalent in linear light. Use it to see how a design holds up as color fades.

#F1DFD8

Reference: National Eye Institute: Types of Color Vision Deficiency

Technical reference

CAM16 and CIECAM02 below assume D65 white, an average surround, background Y of 20 against white at 100, and adapting luminance of 4.07 cd/m².

Linear sRGB

These channels scale with emitted light. Use them for lighting calculations and physically meaningful blends.

R 1.00000 G 0.70838 B 0.60383

Display P3

P3 displays can reproduce a wider range of reds and greens. These coordinates reproduce this same sRGB swatch on a color-managed P3 display.

R 0.97689 G 0.86401 B 0.80840

Linear Display P3

These P3 channels are proportional to light, before display encoding.

R 0.94823 G 0.71806 B 0.61816

CIE xyY

The x and y coordinates locate chromaticity on a diagram. Y gives relative luminance on a scale where white is 100.

x 0.350 y 0.344 Y 76.284

CMY

Ideal cyan, magenta and yellow are the complements of the encoded red, green and blue channels.

C % 0.000 M % 14.118 Y % 20.000

Binary RGB

Each eight-bit group represents one channel. Together they store the 24-bit hex color.

11111111 11011011 11001100